Monday, July 3, 2017
THE VOID is coming to Netflix. You need to watch it.
One of, if not the, best horror films I've seen all damn year, is coming to Netflix on July 6th. Below is my original review for DEATH & GIGGLES and you need to drop what you're doing on that day and watch the fucking thing.
More often than not, when I hear about a heap of praise being levied on a horror movie at any time from any kind of critics, I tend to approach it with caution. Remember when everyone said "The Babadook" was the greatest thing since sliced bread and it turned out to be the equivalent of a frozen dog turd with sprinkles? Yeah, when it comes to praise, I usually tend to feel the opposite way. That's why when I was going into The Void, I honestly wasn't expecting too much from it, even though I went into it knowing practically nothing about what the film was about. Coming out of it...well, all I can say is that this may in fact be the best horror film I've seen in a long fucking time. This film is equally inventive and unpredictable, and saying it made a lasting impression on me is saying it lightly.
The Void picks up with a small town sheriff named Daniel (Aaron Poole) picking up a disheveled man he finds bloodied and disoriented. Transporting him to a local, understaffed hospital inhabited by his ex (Kathleen Munroe), a veteran surgeon (Twin Peaks vet Kenneth Welsh), and a handful of others; Daniel soon learns that something very sinister is going on when mysterious hooded figures start surrounding the hospital. Things go from bad to worse when bodies start dropping, but that's only a taste of the unrelenting horror that unfolds as the film goes on, and gets legitimately totally fucking shocking.
I really don't want to spoil much more about the plot of The Void, because I really do feel that the less you know about this film going in, the more you'll enjoy it. Granted there are some plot elements that come out of left field, but the end result is a genuine shocker of a film that will leave you with plenty of lasting impressions. Not to mention the fact that this film is loaded with wonderful practical effects work and some ridiculously grotesque sequences that gorehounds will undoubtedly adore. I've often heard people labeling the film as being Lovecraftian and also making comparisons to John Carpenter's The Thing, and I agree with both sentiments wholeheartedly. There is an aura of unpredictability and flat out "what the fuck" moments peppered throughout the film, along a feeling of isolation and hopelessness that are perfectly orchestrated here. I've also heard comparisons to the work of Lucio Fulci quite a bit as well, but I think these are more aimed towards the fact the film's ending shot may be a bit of a head scratcher for some and leave you wondering what the fuck you just watched. Regardless of that, this is a modern day horror film that is truly one of a kind.
I can praise The Void day and night and keep going on, but I won't. This is a film that you flat out need to see right fucking now. I myself may love it more than most, and it goes without saying that The Void isn't a film for everyone or all tastes either, but this is truly an unforgettable achievement in practical effects work and being able to orchestrate an overwhelming sense of dread that most modern horror films couldn't do if they tried. Co-directors Steven Kostanski and Father's Day co-helmer Jeremy Gillespie really crafted something special here, and The Void is something that I'll be happily revisiting for years to come.