Saturday, September 24, 2016

The Fallout of BLAIR WITCH

So...I was wrong.

Not too long ago, I had shared my thoughts about the new Blair Witch movie, claiming that I had believed distributor Lions Gate had only slapped that franchise label on an already completed film in an effort to earn more cash from it. After viewing Blair Witch, I can safely say that I was totally wrong about that. If Lions Gate did do such a thing, the amount of post-production work on the film would have been ridiculous, considering from the beginning on that it doesn't try to be anything else but a film in the Blair Witch universe.

I went into the film with no expectations, having never really been into the franchise at all, although I'm a diehard supporter of director Adam Wingard (You're Next, The Guest) and writer Simon Barrett. I had expected the film to be a smash hit and all and at least garner a good critical reception given the pair's pedigree and all, but then something weird happened...I enjoyed the film, and audiences apparently didn't.

Now I went through something similar recently with The Witch (also from Lions Gate), which I thought was brilliant but a majority of mainstream audiences seemed to hate because either they didn't get it, or because it didn't spell everything out to the viewer. Blair Witch kind of suffers the same fate because it offers little to no explanations to the viewer about anything, but it offers much more taut suspense than the original film ever did, at least in my opinion. Granted some of the jump scares are flat out ridiculously set up, but the film is far better than I anticipated it to be, and I enjoyed it quite a bit.

Now I know I often say this, but don't pay any attention to critics. In fact, don't pay much attention to those who have seen the film and offered their opinion on it, whether it be good or bad. See it for yourself and judge it for yourself. Also check out the films of Adam Wingard and Simon Barrett; they're fucking wonderful.

Sunday, September 11, 2016


News came out a few days ago that the long awaited, uncut, uncensored version of Fede Alvarez's 2013 remake/reboot of EVIL DEAD is finally going to see the light of day. Alvarez confirmed such while doing the press rounds for his new flick DON'T BREATHE, and it's very well known that this is something we've all been waiting for now for quite some time. This news seriously excites me more than it probably should.

The 2013 take on EVIL DEAD was a shockingly brutal and gory retread on Sam Raimi's original film, so much so that many were shocked it was granted an R rating given the extreme level of violence. The fact that there's an extended and uncut version coming soon makes me wonder just what could have gotten cut out. Funny thing is, apparently this same extended cut ran on a UK channel in 2015 by mistake when the distributor accidentally sent the wrong master of the film for TV airing. Oops.

My only question is why have we waited this long to see an uncut version of EVIL DEAD? Why has it taken this long for it to see the light of day in a wide-release? I guess it doesn't really matter honestly, and that we should just be happy that we're finally going to be able to see it in all its uncut glory.

With ASH VS THE EVIL DEAD being a smash hit and the franchise riding an all time high like never before, it's never been a better time to be an EVIL DEAD fan than it is right now. Who would have ever thought that the franchise would see such a resurgence? It's shit like this that makes it great to be a horror fan.

Sunday, September 4, 2016


Rob Zombie is a lot like Eli Roth to me: a fairly talented horror filmmaker that has had one truly great film on their resume, and rest of their filmography is filled with relative clunkers. With each passing film they release, I hope against hope that their upcoming flick will fulfill all that empty promise we've been handed for the past decade, and still walk away disappointed in the end. At least with Roth's case, The Green Inferno and Knock, Knock were relatively entertaining, so he's redeemed himself a bit in my eyes. In Rob Zombie's case? Not so much.

Rob Zombie's newest film, the crowdfunded 31, is upon us, and it's getting the reception that many of us thought it would: people are either loving the shit out of it, or hating it with every fiber of their being. I haven't seen it yet, but given Zombie's track record with Lords of Salem and the Halloween turds, I'm not in much of a hurry either. Trailers and looks at the film that I've seen make it look like a fairly generic piece of mediocrity, and chances are I'm probably right in my early assessment too. I'm not shitting on Rob or the movie, I'm really not, because even in the movies of his I find myself hating, I manage to find one or two elements about them that I admire the hell out of. I have a sinking feeling that with 31, that won't be the case.

One thing I've noticed lately, especially in the horror community, is that differing opinions really cause everyone's inner-asshole to come out, especially in the case of Rob Zombie films. There are people that genuinely love his Halloween films, and even consider them better than John Carpenter's classic. Now everyone's entitled to their own opinion and all, but really? Does Rob Zombie have the following he does because he's a musician first and filmmaker second? Do people actually enjoy that mess that is House of 1000 Corpses and think it's better than Devil's Rejects? One thing I've noticed in discussing things like this is that fans are fiercely defensive of Rob's work and the pedestal they place it on. Are they such a way because they know in their hearts that his work is shit?

That being said, I've seen people that have seen 31 trash the film, and those who haven't seen the film yet trash the reviewers, and vice-versa as well. Every film needs a fair chance before everyone can drop their drawers and shit all over it holding each other's hands in unison. Also, one other thing I've seen a lot of lately? People saying "if you're not a Rob Zombie fan, you're not a true horror fan". Yes, people have actually said that. These are probably the same people that don't know who Dario Argento and Lucio Fulci are but think that the Scream franchise is the greatest thing Wes Craven ever put on celluloid. Fuck these people, fuck them in the ear. But hey, that's just my opinion...right?

It's attitudes like this that make me sad. Like I said, everyone is entitled to their own opinion, but being a flat out cock knocker to someone over a differing opinion than yours is just tiresome. That's what politics and comic book geek douche bags have nailed down, keep that shit out of the horror community yeah?

Or wait, you know what? Everyone's an asshole. Just ignore people in general and you'll be alright. Also, I will end up seeing 31 at some point, as long as I don't have to pay for it that is. That's just like, my opinion man.