The Walking Dead V The Walking Butthurt: Dawn of Bullshit

As most (if not all) of you know, there was a time when I really, legitimately loved "The Walking Dead". The comics, the show, everything. That however, was a long time ago. I got tired of the comics, I got super tired of the TV show, and I got just plain bored with the whole marketing blitz/cash-cow that the whole property has become (in hindsight though, I'm happy that Robert Kirkman and Image Comics have raked in the cash though; both deserve it wholeheartedly, and it's proof that indie comics can still be a force to be reckoned with).

Anyway, it's been a long time since I've watched "The Walking Dead", although I've been hearing plenty about it, namely the long-awaited introduction of Negan and the promise that he'll whack a major character. In the comics, when Negan made his first appearance, he slaughtered long time fan-favorite character Glen in brutal fashion. Most people seem to think the show is going to swap out Glen for Daryl, but apparently everyone's going to have to wait until the start of the new season to see whose brains Negan bashes in.

That's right, after weeks and weeks of teasing, fans now have to wait months to see who gets killed. And, knowing how this show goes with dragging shit out, it probably won't get revealed until the end of the season premiere...or hell, maybe even later.

This show sure likes to be a fucking cock tease eh?

For all the faults of the comic, one thing it didn't do was drag shit out. When major shit would hit the fan, it would hit fast and out of nowhere. That's one of the things that made me fall in love with it way back when. The show on the other hand...well, it's always liked to make you wait. You can label it whatever you want, but it's the truth.

Now truth be told, I don't care what develops on the show and what doesn't. The main reason I'm writing about this right now is because seeing all the butthurt fanboys crying about boycotting the show and making petitions to fire showrunner Scott Gimple (then again, this show goes through showrunners like you wouldn't believe) are just a little too much.

We get it, you're pissed. And I'm not saying you shouldn't be either. But if you're really that pissed off about the whole thing, you should prove it by not tuning into the show when it comes back in October. Show some conviction instead of whining about it on the internet only to go back to it when it comes back on air and then sing its praises after.

But no, that's not what's going to happen, and we all know it too.

If there's one silver lining to all this, it's seeing the butthurt fanboys going against the die hard fans defending this bullshit.

Why "The Walking Dead" Should Die.

Where do I begin?

I remember over a decade ago when I first heard about "The Walking Dead". It was a new comic from Image that was in black and white and promised a never-ending zombie apocalypse survival story...and it delivered. It provided many memorable characters, genuine shocks, and a legitimate feeling of surprise because you never knew what the fuck was going to happen next. Fan favorite characters would get whacked out of nowhere, and it introduced one of the best villains in the history of modern comic books.

In the process of becoming a smash hit comic book (and this was right before the zombie craze really took off mind you), "The Walking Dead" also spawned a smash hit TV show (and an upcoming spin off of said TV show), hordes of merchandise, action figures, and all kinds of other shit too. Needless to say, Robert Kirkman's "The Walking Dead" has become a global phenomenon and sale juggernaut in just a little over a decade.

So why don't I give a shit about the property as a whole anymore?

Well, to put it bluntly, I got bored. Sad as it is to say, I just got bored. I don't mean just with the TV show either (THAT is a whole other story), but the whole damn property just bores the shit out of me. The same goes for the comics. We're well over a hundred issues (I think it's close to 125ish if I'm not mistaken?), and I tuned out long before that. I mean the idea of a never-ending zombie epic sounds good on paper, but after a while, what else can you really do with it? I mean we've had some sick fuck villains, but everything after The Governor just didn't feel as scary honestly (including Negan, that's right I said it). Same formula: "we have to move, it's not safe...okay we moved we're safe...fuck, we're not safe, these people aren't who we thought they were"...rinse, repeat. Not to mention the fact that we all know anyone can die at any moment...but we all know that Rick and Carl (to a lesser extent) are pretty much untouchable. The only time one (or both) of them bite the dust is when the series comes to an end...and that's probably not happening anytime soon.

Creator Robert Kirkman recently said in an interview that he (paraphrasing here) has a vision for where the series (meaning the TV show, not necessarily the comic) will conclude. Now it's easier to have a comic book run for hundreds of issues than for a TV show to run for ten seasons mind you, but it's just the point that this dead horse is going to keep getting beaten into oblivion. Like I said, after a while, how much more shit can you really pump out in this kind of thing that doesn't feel stale?

Now I know that this whole media juggernaut has a rabid fanbase, and that's all well and good. "The Walking Dead" as a comic managed to help Image Comics really challenge Marvel and DC as a big time comic book company, the comic itself managed to re-invigorate the horror comic genre, and the TV show was the beginning of seeing more horror shows hit the TV airwaves. So yeah, it has its place in history without a doubt...

...but everything has to come to an end sooner or later. And maybe "The Walking Dead" should be laid to rest...finally.

30 Years of "Return of the Living Dead"

In a month's time, it will mark the 30th anniversary of a true favorite of the horror genre: "Return of the Living Dead". Those relatively unfamiliar with the film may know it as "that zombie movie with the punks and the super sexy naked zombie chick"...and you'd be right. The original "Return of the Living Dead" is one of the most fun and enjoyable zombie films ever made, and thirty years later, it's still as enjoyable as it was back then.

Based on the novel by John Russo, who had co-created "Night of the Living Dead" with George Romero, "Return of the Living Dead" is written and directed by the great, late Dan O' Bannon, who had written the original "Alien" among many other notable sci-fi/horror works. The story is simple: two idiots accidentally re-animate a whole graveyard full of brain-hungry corpses, while a bunch of punk kids are caught in the crossfire. Before you can say "send more paramedics", the tone of the film shifts from hilarious, to scary, to downright chilling.

For me personally, "Return of the Living Dead" has a special place in my heart. This was one of the first zombie films I ever saw in my youth (and I actually saw its first sequel, "Return of the Living Dead II" first) and left quite an impression on me. Maybe most of that was due to seeing scream queen Linnea Quigley dancing around butt ass naked in a graveyard, but I digress. This was one of the first movies I remember seeing that I genuinely laughed at and was slightly scared by. After re-discovering it years later with the advent of DVD, I fell back in love with it all over again.

The film was followed by numerous sequels, all ranging in terms of quality. "Return of the Living Dead II" took the focus off the horror and was put more on the comedic elements, while "Re-Animator" and "Society" maestro Brian Yuzna was behind the surprisingly good "Return of the Living Dead 3", which threw out the comedy and was straight up, no holds barred, super fucking gory zombie horror that is well worth your time. There were a pair of made for the Sci-Fi Channel films as well, which are the equivalent of cinematic abortions, but you probably already knew that.

If you've never seen the original "Return of the Living Dead", you've been missing out. Go remedy that immediately. Also it goes without saying that you'll be madly in love with Linnea Quigley after viewing the film, and trust me when I say it, but that is a love that never dies...just like the love for this wonderful piece of trash as a whole.

30 Years of "Day of the Dead"

In 1968, George Romero unleashed the film that started the whole modern zombie craze that would last for decades with the original "Night of the Living Dead". A decade later, Romero would return with the superior (at least to me) sequel "Dawn of the Dead". Both films were revered by fans, and most critics believe it or not, and are viewed as classics of the genre all these years later. In 1985, Romero would release a third "Dead" film that he had hoped would be an epic conclusion to his zombie films, called "Day of the Dead". Romero had envisioned a grand magnum opus of blood, gore, and social commentary with the fate of the world and the human race in the balance...

...things didn't quite turn out that way.

"Day of the Dead" wasn't given much of a budget, and thus many of the big time set pieces Romero had planned out were scrapped and the film as a whole was scaled back. What was released in 1985 instead was a small-budgeted and often claustrophobic feeling zombie dirge that critics and audiences didn't receive well back then compared to "Night" and "Dawn". Over the years though, feelings towards the film have changed mightily.

For starters, "Day of the Dead" doesn't feature many (if at all) likeable characters, compared to "Night" and "Dawn" before it. Everyone seems to be some sort of caricature almost, and there's so much over the top scene-chewing acting from the principal performers that it becomes hard to take it seriously. That being said, Joe Pilato is perfect as the evil bastard Rhodes, and when we see him get ripped apart, it's so damn satisfying.

What really sets "Day of the Dead" apart from the previous two films are two things: first off being Bub: that loveable zombie that is being "rehabilitated" by mad scientist Dr. Logan. Howard Sherman (Sherman Howard) is wonderful in the role, with an expressive face under all that makeup. And speaking of makeup, the second thing that really sets "Day of the Dead" apart from the other films is the makeup and gore effects from Tom Savini. These effects are truly the benchmark in gore effects of the era (for zombie films anyway), and even helped steer the future of gore effects work by employing a young and inexperienced Greg Nicotero, who would go on to form the Oscar-winning and revered KNB Effects group and one of the men behind "The Walking Dead".

It's hard to believe that "Day of the Dead" is 30 years old...and now that I think about it's even harder to believe that "Land of the Dead" is 10 years old. The fourth Romero zombie film wouldn't come out until 20 years after this, which just goes to show you how much of a thud "Day of the Dead" landed on way back then upon its original release. Time has been much kinder to it however, so it's more than worth your time. It isn't anywhere near as prolific as "Night of the Dead" or "Dawn of the Dead" were before it, but it's certainly a super fun and blood soaked blast.

Why the New "EVIL DEAD" TV Show Will (Probably, Hopefully Not) Suck

The "Evil Dead" franchise has always had a special place in my heart. I first came across it in my youth, and actually viewed all three films backwards throughout the years. When I was young, I caught "Army of Darkness" on TV. I had no idea what it was about, but I loved the cheesy effects and Bruce Campbell's overacting. Plus, it was goddamn funny.

When I started getting into the horror genre, I re-discovered that film, plus the first two films before it. I managed to find a VHS copy of "Evil Dead II" at my local video store and gave it a watch. I fucking loved it. To this day it remains my favorite of the series. Eventually I found a VHS copy of the first film (at Wal-Mart of all places) for dirt cheap and picked it up. Compared to the second and third films, the original "Evil Dead" is no holds barred horror that makes surprising use of its miniscule budget to great effect.

Fast forward to now. The "Evil Dead" franchise is viewed as a classic series, and has spawned hordes of merchandise, video games, multiple special edition DVD releases, and even a remake that surprisingly wasn't the abortion we all thought it would be. The remake made a whore-load of money, making a sequel to said remake all the more likely. Not to mention the post-credits cameo from Bruce fucking Campbell, which led to Campbell and Sam Raimi himself stating that there would be a sequel to the remake, plus an "Army of Darkness 2", which would both then converge into a final film starring Ash and the heroine from the remake whose name I don't remember and I'm just too fucking lazy to go to IMDB or Wikipedia to look it up.

Those films never happened.

Now the fact that they never happened really isn't much of a surprise to us fans that have heard false promises of another "Evil Dead" movie for years, but what did come as a surprise is that there's going to be a cable TV series called "Ash VS The Evil Dead" starring Bruce and produced by Raimi.

The initial news of this made me cum harder than a priest watching a Little League game.

Then after I cleaned myself up, I realized that this is probably going to be terrible.

Now don't get me wrong, I fucking love everything "Evil Dead", and anything that gives Bruce Campbell a steady paycheck I am all fucking for, but the "Evil Dead" franchise is one of those things I think should just be left the fuck alone. How are you going to have a weekly series with the same cast of characters (maybe?) finding themselves in trouble with the Necronomicon? Are we going to get multiple seasons of the same old shit? Unless it gets cancelled after one that is. Maybe if it was an anthology series, kind of like "Tales From the Crypt" with Ash as the host/guide it could be interesting, but honestly I just really don't see "Evil Dead" being turned into a serialized TV show working out well.

Now thinking about all this got me thinking about other dumb ass bullshit revivals. And that's what "Ash VS The Evil Dead" is: a revival for fans who have worshipped it for years, and is being revived to try to possibly squeeze some more cash out of it. Look at what's been revived over the past couple years: we have new "Star Wars" movies on the horizon, we got a sequel to "Dumb & Dumber" that was 20 years too late, we're getting a sequel to "Super Troopers" over a decade after it came out, and for some reason we're getting more "Ghostbusters" movies too. Not to mention the fact that TV show wise, we've seen "Arrested Development" brought back from the dead, we're getting "The X-Files" resurrected as well, and for the love of fucking sweet Satan we're getting some kind of follow-up to fucking "Full House". WHO THE FUCK WAS PINING FOR A SEQUEL SERIES TO FUCKING "FULL HOUSE"?!?!?!?!?!?

Producers and studio executives are counting on our fond memories of movies and TV shows that we love and have loved for years to make a little extra cash out of them however the hell they can, and we fall for it. We always fall for it. Because we love this shit so much. Then we fall for it, and we wind up being disappointed by it, and we pretend that we're surprised by how much it sucks now...even though in the back of our heads we always fucking knew that this was going to be shit, and said shit product has tarnished our memories of what we've loved forever more. When we think about the awesomeness of "Ghostbusters" or "X-Files", we'll have fond memories of course, but there will be that thought that pops in your head at the end of "oh shit, they brought it back and it was fucking terrible. Who the fuck thought that was a good idea?"

And goddammit, that's what I'm afraid is going to happen to my beloved "Evil Dead". I hope I wind up being totally wrong. In fact, I hope that I'm dead wrong and this show has a decent run that satisfies its fan base in most, if not all, aspects that genre fans crave from shit like this. I hope watching it brings a huge smile to my face, because I want shit like this to succeed and keep on going strong...but in my heart of hearts, I know I shouldn't get any kind of hopes up for it being what we all want it to be.

At least Bruce will have a steady paycheck for a while...and really, that's pretty much all that matters here.

Reviewing the Third Season of "The Walking Dead"

Hello assholes, it's been a while I know. But since I'm back from the dead for time being, let's talk about the "dead" shall we? Case in point, the third season of "The Walking Dead". If anything from the time it started, this was a season in which it seemed like the fans got what they wanted from the get-go...before it felt like everything turned to shit and what seemed like so much promise that was built up just became nothing more than wasted potential. Be warned that spoilers are ahead for anyone who hasn't watched the third season yet, so read at your own risk.

Like I said, throughout the season it felt like the fans got they wanted in terms of a few things: Lori and Andrea get killed in horrible ways, Carol isn't annoying anymore, Merle comes back, and there's more Daryl. We also got to see what happened to Morgan, Michonne kicked ass, and after a bit of a rocky start, we saw The Governor become a pretty damn good villain. But for all the promise this season delivered, so much of it became wasted potential.

While we finally got to see Michonne and The Governor, it took a while for their characterizations to really make their mark. When they did though, both characters became magnetic and some of the best parts of this season. Their bloody showdown in Woodbury set the stage for The Governor really losing his shit, and his thirst for revenge against Michonne was wonderfully orchestrated.

On the other side of that, we got to see both Lori and Andrea bite the big one, and oh how satisfying it was. While Lori died in childbirth and Andrea died from being a fucking idiot, both deaths proved satisfying as both characters had become just so goddamn annoying and far from their comic book counterparts that seeing them both meet their demise was worth the wait. My biggest gripe with "The Walking Dead" in television form is how different the characters are portrayed on the show than they are in the comic: case in point Andrea. In the comic, she's awesome. She's a strong-willed, intelligent, and cool under pressure character that has been a fan favorite for years. On the show, she's a selfish bitch whose motivations change at the drop of the hat. With her dead now, maybe that will be the end of the show's tradition of poorly written female characters. Then again, probably not.

While I've chastised the show for veering down different paths than the comic, seeing Andrea die was a welcome deviation. Some things that made me want to pull my hair out, like The Governor still being alive, irked the shit out of me. Add to that what they've done to Carl lately, and I'm torn between yawning to myself and saying "this is fucking stupid" whenever I watch an episode. The fact that the show is now veering further from the comic also sets up a feeling of not knowing what to expect to happen next, which is one of the few reasons I continue to watch the show, just for the fact that I don't know what the fuck is going to happen next.

With all that said and done, the one thing I absolutely cannot stand is how AMC keeps on slashing the budget of the show. Glen Mazarra, who was the showrunner up to the end of this season, was shit-canned in favor of a showrunner who will make the show more "character driven", which is code for someone who will keep things going with only half the budget at his disposal. This isn't a surprise, considering AMC shitcanned Frank Darabont over the fallout the show's budget getting slashed because AMC is apparently run by "Mad Men" (other AMC shows, like "Breaking Bad" suffered the same fate, while "The Killing" got cancelled), but neither of those shows are the ratings juggernaut that "The Walking Dead" is. It's just infuriating that once again, here we are with budget cuts, all so "Mad Men" can keep moving forward.

All that aside, this season of "The Walking Dead" wasn't as much of a letdown as the second season was, as viewers got what they wanted for the most part, despite a particularly disappointing season finale.

Let's hope things get better come October, though I've got a sinking feeling that they probably won't.

10 Things I Want To See On "The Walking Dead" This Season.

The Walking Dead Compendium 1 By Kirkman, Robert/ Moore, Tony (ILT)/ Adlard, Charlie (ILT)/ Rathburn, Cliff (ILT)/ Wooton, Rus (CON) (Google Affiliate Ad)

Tonight is the big night. AMC's "The Walking Dead" returns to TV after what seems like forever. I personally felt last season wasn't nearly as enjoyable as it probably should have been, so I'm hoping that this season picks up mightily. What with new additions to the cast including the beloved Michonne and the debut of one of the greatest villains in recent comic book memory: The Governor. Though I'm fairly certain the impact The Governor has and just how evil a prick he is will be toned down for TV purposes, the fact remains that there is some major shit I want to see happen on this season of the show. So here we are with my Top 10 things I want to see happen on this season of "The Walking Dead". Be warned that possible spoilers are ahead.




10. Rick get his hand cut off.

One of the first scenes of major bloodshed to happen when Rick and The Governor butt heads is Rick getting his hand chopped off. Considering that Merle Dixon is part of The Governor's crew and he's more than likely holding a grudge against Rick for losing his own hand during his escape from Atlanta, I think it's a safe bet to see Rick get some vengeance cast down upon him, one way or another.



9. Michonne puts the sword to work.

Michonne is a beloved character, and rightfully so. Seeing the teases of her already with her sword and zombie companions, I think this is the safest bet of all. Graphic zombie decapitations? Sign me up.



8. Andrea stops being such a twat.

In the comics, Andrea just may be the toughest female protagonist around (next to Michonne, but we've known Andrea for longer). On the show, all she's done is seemingly cause more trouble for everyone involved, and make some plain dumbass decisions. "No Andrea, we don't want you handling a gun because you're not properly trained"..."Ok, train me and I promise I won't shoot anybody"...*proceeds to accidentally shoot Daryl*. Yeah, it looks like Andrea is going to have more of a major part this time around, and that some bad things are going to happen to her in the process. Hopefully this will lead to her becoming more of the tough, take no shit character from the comics we all know and love, and less of the whining twat she is on the show.



7. Carl becomes a badass.

Carl is an annoying kid on the show, that much is certain. He was in the comics too to a certain degree, but over time he became pretty damn badass for a kid, emulating his father Rick almost to a fault. I'd love to see Carl become more like his Dad (we've already seen hints of it) in terms of making hard decisions.



6. Daryl and Carol finally smash.

It's going to happen, one way or another. Just kick back and watch...and be just as confused and amazed as the rest of us.



5. A prison full of walkers...and worse.

Seeing the prison in all its glory is wonderful enough, but the promise of corridors and prison cells loaded with the undead and various other survivors is enough to make your mouth water. Granted I'm not sure if they'll introduce any of the four survivors that were found in the prison in the comics, but being able to see Rick and his crew clean the whole thing out will be awesome in itself.



4. The fallout from killing Shane.

There is a certain sort of fallout to happen from Rick killing Shane. Lori wasn't pleased, and chances are some others won't be either, and chances are no one is going to escape unscathed for what happened to Shane. It may not matter much in terms of storytelling going forward, but Rick's decision to do what he did (and what needed to be done) is going to play into his final words in last season's finale: "this isn't a democracy anymore".



3. The return of Merle Dixon.

He may have never existed in the comics (and neither did his brother) but I'm so fucking looking forward to seeing Merle back with one hand and a fistful of vengeance that it makes me more excited to see him than it does The Governor. That, and the fact that Merle is back gets me excited for what's next as well...



2. The reunion between Merle and Daryl.

Though they've never officially been together in any episode yet, seeing Merle and Daryl get re-united is going to be...well, it's going to be bad. Merle is a piece of shit and missing a hand, Daryl is...well, Daryl is fucking awesome and the most beloved character on the show. When these two get back together, blood will flow, one way or another.



1. Lori finally gets what she deserves.

If you've never read the comics, then I'm going to spoil some major shit for you here. Most of the characters in "The Walking Dead" get slaughtered by The Governor's people in the prison. It was a shocking moment to see, the most shocking of which was seeing Lori, with baby in hand, get mowed down to a bloody pulp. Now let it be said that Lori has come off as little more than a complete cunt on the show. She's managed to play Rick and Shane against each other, used Glenn as an errand boy, virtually ignore her son, and manage to successfully piss off just about everyone else for one thing or another. I would love to see Lori finally get whacked, just because I'm sick and tired of seeing and hearing her just make things worse for everybody involved.



That's all for now folks, I'll be back here in a few months when this season wraps, and hopefully it'll go a lot better than last season too.

My DC Animated Universe Wishlist

Showcase Presents: Doc Savage By DC Comics, Inc. (COR) (Google Affiliate Ad)

When it comes to animated comic-book based adaptations, no one does them better than DC. While Marvel's animated features aren't bad in the least, they just more often than not come off as being rarely anything better than average. The DC Universe animated features boast better animation and voice acting, and have managed to successfully adapt some epic and beloved DC stories into 75-minute animated dirges. True, some haven't been anything special ("Green Lantern: Emerald Knights" and "Batman: Gotham Knight") and some have been quite spectacular ("Batman: Under the Red Hood" and "Wonder Woman"). Though DC has informally announced that a majority of the future DC animated films will focus on the Justice League, Superman, or Batman since anything not involving any of them doesn't sell through the roof, this comic geek has come up with a wishlist for DC stories I would fucking love to see in animated form. Granted I know that a majority of these won't ever happen, but that doesn't mean that a geek can't dream. I'm not going to go into too much depth for each one here, because I could talk about this shit for hours. So here we go with my top DC Universe animated flicks wishlist:



TEEN TITANS: THE JUDAS CONTRACT

Originally slated to be a DC animated flick, "The Judas Contract" got nixed due to the fact that the mega-popular cartoon was still resonating in the minds of children everywhere, and because the shockingly mature content of this storyarc would probably not have been done justice in animated form. Still, seeing "The Judas Contract" animated would be awesome.





KINGDOM COME

The mega-popular and beloved dystopian look at the DC universe would be smashing to see in animated form. Just imagine Alex Ross' lush paintwork applied to animation, and you've got something with the potential to be beautiful unleashed on your eyeballs. Just like "The Judas Contract", this has a shocking amount of mature content, but considering what all the recent DC animated flicks have gotten away with in terms of content and violence, this would be a no-brainer.





THE FLASH: THE RETURN OF BARRY ALLEN

The Flash doesn't get enough love, which is a damn shame because the characters, mythos, and villains associated with Flash are some of the best the DC Universe has to offer. How awesome would it be to see an animated adaptation of young Flash Wally West get bested by the former Flash Barry Allen after he (allegedly) returns from the dead? There's little chance of this ever happening, since DC rebooted their comic universe and Wally practically doesn't exist anymore, but this would be awesome to see in animated form.





THE SINESTRO CORPS WAR

One of the greatest and most action packed storylines in Green Lantern history would be amazing to see in animated form. Not to mention the fact that since it involves every single superhero in the DC universe taking on Sinestro's army, it could be marketed as a Justice League movie instead of a stand-alone Green Lantern flick. Just imagine that final slugfest between Hal Jordan and Sinestro in animated form...holy shit. Plus, it could somehow lead into what I propose next...






BLACKEST NIGHT

Dead superheroes and villains returning from the grave and eating the hearts of the living? Yeah, we'll probably never ever see this one in animated form, but man oh man, the possibilities about "Blackest Night" animated are endless.






BATMAN: THE LONG HALLOWEEN

After "Batman: Year One", why not adapt "The Long Halloween"? A spiritual sequel, "The Long Halloween" would detail the origin of Two-Face and feature a handful of the best Batman villains thrown in for good measure. Plus, somehow adapting Tim Sale's beautfiul artwork into animated form? Sign me up.






SUPERMAN: LAST SON

Richard Donner, who directed the landmark, classic, original "Superman" film, co-wrote this comic storyarc (that also paid tribute to Christopher Reeve) in which Superman adopts a young Kryptonian boy that mysteriously appears on Earth. The storyarc was surprisingly touhing and heartbreaking, and a great way to introduce/re-introduce everyone to General Zod. This one would be a mistake not to adapt.






Okay folks, my nerd rage has subsided for now. If you have no idea what the hell I've been talking about, or are thinking "why the fuck is this guy watching cartoons", please feel free to blow me.

The Zombie Apocalypse is Coming...Maybe

Saturday in Miami marked an event that is shaking to say the least. Police discovered a naked man eating the face of another man, and shot him repeatedly until he finally went down after taking a shot to the head. Let me just break this all down for you one last time to make sure you all get the big picture.

He. Ate. His. Face.

Hannibal Lecter in Miami? Maybe so, but according to reports, the perpetrator was under the influence of “bath salts”, which apparently is the codename of some new form of LSD. Before I go any further, let me say that I myself have done my share of LSD…and I for one have never felt the need to FUCKING EAT SOMEONE. Granted I spent an hour or so talking to trees one night, but that’s a story for another day.

Anyway, whatever this guy was on, it leads me to ponder one important thing: how close are we to the zombie apocalypse? It’s not every day that you’re strolling along and see someone eating a fellow human being. Nor is it particularly normal to shoot said cannibal and HE JUST KEEPS FUCKING EATING the boor bastard, but here we are. Yes folks, these “bath salts” the guy was allegedly on are nothing more than a media smokescreen to hide from us, the American people, that the zombie apocalypse is at hand.

Over the next few weeks, expect to hear similar stories across the country (and perhaps world) as people will be attacked on the streets and eaten alive, followed by our good friends hanging out in cemeteries rising from the grave. I’m fucking serious. Not to mention the fact that the supposed end of the world is right around the corner…coincidence? I think fucking not.

Be prepared everyone, the end is near…



…okay not really, but this is some pretty wild shit isn’t it?

Say no to drugs kids. One minute you’re having a blast, and next thing you know, you’re buck ass naked in public eating your best friend’s face.



Bollocks.

Why the Second Season of "The Walking Dead" Kinda Sucked

The second season of “The Walking Dead” is over. Some would say sadly, others would say thankfully. I’m a little bit in between for the time being. After a six-episode first season of the series, I like many other viewers, salivated over the prospects of a 13 episode second season…and also like many, I was left wanting more. Granted that the show’s ultra-creepy season premiere and jaw-dropping finale were great, but everything else in between felt kind of…well, flat.

From this point forward, SPOILERS AHEAD. So if you haven’t seen any recent episodes, read all this at your own risk.




So, here we are. The group is without sanctuary (though the prison is seen looming in the background as our group scrambles to figure out what to do next), Shane, Dale, and others are deader than shit, while Andrea is trapped in the woods and saved by Michonne (making her first appearance on the show fucking finally). Like I said, all that and the show’s beginning were awesome, but just about everything else in between was either flat or just plain drawn out. Maybe it’s because show-runner Frank Darabont got shit-canned by AMC (and as a result, two of his biggest supporters in actors Jon Bernthal and Jeffrey DeMunn, who played Shane and Dale respectively, got slaughtered, even though anyone who has ever read the comic knows that by this point Shane is way past dead to fucking begin with) and maybe it’s because with all the budget-slashing there had to be more talking and less zombie-bashing, ya know…because filming people talking is much less expensive than bloody special effects and makeup.

Whatever the case may be, the one thing that irked the shit out of me about this season of “The Walking Dead” is what the writing staff has done to the women of the group. Lori is unbelievably irritating and just a flat out cunt (like she was in the comic granted) while I pray for Carol’s death with each passing episode. Andrea, who was such an awesomely-written, strong-willed character in the comics, has been degraded to being a chick that doesn’t know what the fuck she’s doing. We saw flashes of her strong character in the first season of the show, before harping on the death of her sister…the sister she let come back as a walker so she could shoot her. What did Andrea in the comic do when her sister was bitten and killed? She blew her head off right away so she WOULDN’T come back as a walker. Yeah…the writing staff has fucked Andrea up to the point of no return. I can forgive turning Dale into a bleeding heart, Maggie into a clingy twat, or even making Herschell less of a douche bag and even kind of likeable, but seeing what they’ve done with Andrea just makes me all kind of pissy.

What are we to do with the women of “The Walking Dead”? Well if Michonne is done proper justice, we’ll have a bad ass character and one of the absolute iconic faces of “The Walking Dead”. And speaking of iconic faces, I’m dying to see the first appearance of The Governor. One of the greatest villains in the history of the comic book medium, the existence of The Governor and his crew has been hinted at aplenty, and for those who have read the comics before, know that the collision course between the group and The Governor was THE game changer for everyone involved, and insured that nothing would ever be the same again for anyone.

Now what I did like from this season was the final confrontation between Rick and Shane. It was a long time coming and inevitable, and Rick’s display of take no prisoners “it’s either him or me” mentality is the Rick I’ve been dying to see since the show first premiered. I’ll actually kind of miss Shane because Jon Bernthal played him so damn well, and took an otherwise hated comic book character and made him sympathetic and actually likeable. The zombie makeup and effects were also spectacular, particularly the effects work done with the zombie chewing his way through the car windshield on Lori’s crashed car and slowly destroying his own face. That was fucking incredible. Oh, and Daryl Dixon is probably the best character on the show, he’s the funniest and most cheer-worthy TV racist in television history since Archie fucking Bunker.

All things considered, I’m generally looking forward the third season of “The Walking Dead”. With 16 (!) episodes slated for next season, here’s hoping for some more action and some much less fucking TALKING! I’m all for drama in a post-apocalyptic zombie world (which is what made the comic book so fucking good in the first place) but it stifles any of the horror, action, or sense of impending doom, which is what the show should be all about in the first fucking place.

In the end though folks, we’re going to have to wait a while to see what develops…



…but as long as I see Lori and Carol get eaten alive I’m okay with pretty much whatever the fuck happens next.

The 5 Best Horror Movie Remakes Ever

Ah yes, it’s that time of year again…it’s fucking Halloween time folks! And what does Halloween time mean exactly? Horror movies folks, and if you know me well at all, you know no one loves this time of year and everything included with it more than me. One thing I don’t necessarily like about horror flicks in general however, is that we have horror movies remakes. Just closing my eyes and letting my mind drift, I see flickers of the ridiculously shitty remakes of classic (and even not so classic) horror remakes to have been unleashed upon us in the past decade or so. “The Wickerman” (“NOT THE BEES!!!”), “The Fog”, “A Nightmare on Elm Street”, “Texas Chainsaw Massacre”, Rob Zombie’s abortion that was “Halloween 2”, and so on and so forth. However, every now and then, we get a horror remake that isn’t only surprisingly good, but in some cases even outdoes the original it was based upon. So I’ve listed my top five of the best horror movie remakes to have seen the light of day. You may not agree necessarily, but regardless, these are the best horror remakes available that you could ever hope to see. And here…we…go!



THE THING (1982)
Director: John Carpenter
Starring: Kurt Russell, Keith David, Wilford Brimley

Remade from the classic “The Thing From Another World” and owing more to the story that that film was based upon (“Who Goes There”), John Carpenter’s “The Thing” featured masterful suspense, genuine shocks, and legendary effects makeup that not only still holds up today, but helped revolutionize the makeup special effects world in the process. A group of researchers in Antarctica comes across a crash-landed alien that can assimilate and duplicate other life forms it comes into contact with, resulting in a gore-fest of suspense and the crew playing an increasingly desperate game of cat and mouse trying to figure out who’s human and who isn’t. Everything about “The Thing” is nearly pitch perfect, from the superb acting to the grim and nihilistic conclusion, this remains one of my all time favorite films of any genre, and in my opinion Carpenter’s best film ever. There’s an upcoming remake of this remake (you read that right) that supposedly serves as a prequel, and features a young cast with CGI effects aplenty. I can already guarantee how THAT flick will turn out. No matter what though, you must see “The Thing”, it’s a horror classic.



THE FLY (1986)
Director: David Cronenberg
Starring: Jeff Goldblum, Geena Davis, John Getz

Remade from the Vincent Price classic, David Cronenberg’s “The Fly” is a gory tale of science gone mad. Jeff Goldblum stars as a brilliant scientist that accidentally crosses his genes with that of a fly during a teleportation experiment, and what results is a nightmarish examination of “The Metamorphosis”, with hefty amounts of blood and guts tossed in for good measure. At the heart of the film however is a surprisingly deep and even more surprisingly emotional examination of human nature and subtle metaphors for disease and the transformation one goes through during a relationship; topics that you very rarely see taken on in any remake, 99% of which are done as quick cash-ins. A box-office hit and Oscar winner for makeup special effects, “The Fly” spawned a relatively lame sequel a few years later, but apparently David Cronenberg himself has scripted a purposed sequel to this film that he claims will probably never see the light of day. If said sequel would even only be half as good as this film, it would be a crime were it to never be completed.



NIGHT OF THE LIVING DEAD (1990)
Director: Tom Savini
Starring: Tony Todd, Patricia Tallman, Tom Towles

George Romero produced this remake to his legendary shocker, which was directed by legendary makeup effects guru Tom Savini, and unlike most remakes that change things around in the script for the sake of changing things around, this remake doesn’t come off as being the worse for it. This take on “Night of the Living Dead” transforms Barbara from a terrified, screaming shell of a woman into a tough, hard-nosed survivor as she and a group of others board themselves up in an old farmhouse as ravenous zombies surround them. For what it lacks in gore, the “Night of the Living Dead” remake offers some great acting and inventive takes on the classic shocking scenes of the original. Some fans actually consider this remake better than the original, and while I myself am not in that camp, I can see why they may feel that way. You’ll rarely find a remake as good as this one.



LET ME IN (2010)
Director: Matt Reeves
Starring: Kodi Smit-McPhee, Chloe Moretz, Richard Jenkins

An Americanized remake of the modern classic “Let the Right One In”; “Let Me In” is an unexpected treat. When news of the remake first broke, I had a shit-fit and was adamant in the fact that it would be pure and absolute shit and never measure up to the original. Well, I was completely wrong in every regard. “Let Me In” tells the story of a bullied, neglected young boy that learns the girl that just moved in is actually a vampire, and the two develop a bond as everything around them starts to go completely to shit. While “Let Me In” doesn’t quite have the same amount of heart and soul as the beloved original film, it still manages to stand on its own and pay wonderful homage to the original while keeping its spirit and message intact.



THE BLOB (1988)
Director: Chuck Russell
Starring: Kevin Dillon, Shawnee Smith, Jeffrey DeMunn

There are plenty of people that didn’t like this film for whatever reasons, but I personally love this remake of “The Blob”. Dated as hell but loaded with some eye-popping effects and deliberately tongue-in-cheek moments, I even prefer this remake over the Steve McQueen-starring classic original in some regards. Mostly because it’s just a fun, over-the-top gorefest that takes no prisoners and makes no apologies for what it is, and that’s the kind of filmmaking you’ve just got to appreciate. Plus, it has Kevin Dillon with a mullet, and that chick from all the “Saw” flicks as a cheerleader; what’s not to love?



HONORABLE MENTIONS:

“And Soon the Darkness”
“Cape Fear”
“Cat People”
“The Crazies”
“Dawn of the Dead”
“Don’t Be Afraid of the Dark”
“Funny Games”
“The Hills Have Eyes”
“Invasion of the Body Snatchers” (1978)
“Piranha 3-D” (fuck you I dug it)
“The Wolfman”

The 10 Most Badass Foreign Films of the Past Decade

Talking so much about what’s been going on with an Americanized remake of “Oldboy” the last time around got me thinking about the differences between most American and foreign films. Mainstream American cinema is more often than not way too watered down for my tastes. Also more often than not, the mainstream American film industry is pretty much used as an expensive method to market product and behavior to the populace, and is just too soft to really digest as anything other than boring, unimaginative bullshit…but enough about American cinema. This blog is devoted to my favorite ten foreign films of the past decade that are the absolute definition of badass. Note that these films are listed here in no particular order, as its just way too hard for me to really rank them all in a true top ten list. With all that being said, here we are with my ten most badass foreign flicks of the past decade:



BATTLE ROYALE (2000)
Director: Kinji Fukasaku

Okay, technically “Battle Royale” shouldn’t fall under the criteria for this list (considering that it’s eleven years old), but “Battle Royale” is so fucking badass that it makes this list anyway. Based on the popular manga of the same name, “Battle Royale” asks the question “could you kill your best friend?” The story takes place in the near future of Japan, as a large group of Japanese students is placed on an island with weapons and rations and are forced to kill each other for the entertainment of the TV audience. A hardcore-ish take on “Lord of the Flies”, “Battle Royale” is shocking, graphic, brutal, and stunningly gripping and emotional to boot. All that being said, “Battle Royale”, like most of the films on this list, is definitely not for everyone and certainly not for the faint of heart either. A massive hit in its native Japan, the film was followed by a lesser-well received sequel, but that aside, the original “Battle Royale” is a classic.



THE CHILDREN (2008)
Director: Tom Shankland

I had mentioned “The Children” before in my multi-part 50 Best Horror Films You’ve Never Seen series last Halloween, and it certainly is as well as being one badass British horror film. The story revolves around a group of friends and families that gather together for a relaxing Christmas vacation, only for some unknown virus to affect the young children and make them turn into murderous psychos. In terms of horror, “The Children” is fucking terrifying. It has genuine shocks, scares, and surprises that build up to a violent and chilling climax that will stay with you long after the credits roll. Released as part of Sam Raimi’s Ghost House Underground series, “The Children” is certainly the best film to ever be featured on that direct-to-DVD line.


THE HOST (2006)
Director: Joon-ho Bong

A Korean monster smash, “The Host” revolves around a bickering family that unites to save the young daughter of the immature and incompetent eldest son when a blood-thirsty beast emerges from the Han River. “The Host” isn’t a gore-fest in the least, but it does feature some impressive monster effects and healthy doses of action sequences, as well as being a very gripping film in itself as well. It did get a theatrical state-side release and has garnered a cult following over here as well, and remains one of the best monster movies to see the light of day in quite some time.



I SAW THE DEVIL (2010)
Director: Jee-woon Kim

How far would you go to get your revenge? In “I Saw the Devil”, a Korean secret agent finds himself on the trail of the psychopathic serial killer that murdered his fiancé, but his agenda is a little more complex than simply tracking the cocksucker down and whacking him. Instead, he proceeds to play a very dangerous game in physical and psychological torture with the killer, so much so that it soon begins to blur the line of whether he’s a hero, or a monster himself. You won’t find many films like “I Saw the Devil” in any country, for this is flat out just plain ballsy filmmaking. The questions of morality and the line between what’s good and what’s evil are only heightened by the ultra violent action scenes, which are a sight to behold in themselves. Be warned though, this is one film that definitely isn’t for everyone, and definitely not for the faint of heart.



ICHI THE KILLER (2001)
Director: Takashi Miike

Wow…this is some fucked up shit right here. That was generally my first reaction the first time I saw “Ichi the Killer”, which is one of the bloodiest, goriest, most ridiculous splatter-fests in the history of film. I’m not even kidding, shit happens in “Ichi the Killer” that you just have to see to believe. What happens when two masochistic killers come across one another? Nothing good, but there is a never-ending assload of blood, guts, and torture…and it’s so memorably ridiculous that I’m really having a hard time putting it into words. One of Takashi Miike’s best and most infamous films, “Ichi the Killer” is something that you will NEVER be able to forget.



INTACTO (2001)
Director: Juan Carlos Fresnadillo

One of the most interesting (and confusing) films I’ve seen in the past few years, the Spanish thriller “Intacto” revolves around a group of four people who all have one thing in common: they all share an incredible degree of luck. One of which is a thief and the lone survivor of a horrible plane crash, one is the survivor of a horrific earthquake and has the power to rob one’s luck with just a touch, one is a casino owner and Holocaust survivor, and the last is a female police officer who survived the car crash that claimed her family. Their stories intertwine as questions are raised regarding luck, fate, and destiny; and the stakes that people can go in which to control all these seemingly uncontrollable aspects. If anything, “Intacto” has the vibe of a “Twilight Zone” episode going for it, with some incredibly taut and thrilling scenes, the most notable of which being blindfolded and bound people running through a huge forest in an effort to test their own luck. Mind-boggling to a degree, but wonderfully captivating as well.



LET THE RIGHT ONE IN (2008)
Director: Tomas Alfredson

Remade here in America as the surprisingly good “Let Me In” (yes, I’m still living down blasting it before actually seeing it), the Swedish horror tale “Let the Right One In” revolves around young pre-teen Oskar, who is frequently bullied and yearns to take revenge on his abusers. His new next door neighbor is a 12-year old girl named Eli, and shortly after making herself known, a series of grisly murders takes place in the neighborhood, leading Oskar to realize that Eli is a vampire. Otherwise known as “Twilight” with balls, the original “Let the Right One In” is a brilliant and intelligent horror love story that became an international smash. Its shocking imagery and grim undercurrents combined with the surprising amount of thoughtfulness to the story elements without it going into a full-blown horror gore-fest make the film something of a unique piece. Needless to say, if you haven’t seen the original “Let the Right One In” and you’re a fan of the vampire genre, you are really missing out here. “Twilight” and even “True Blood” die-hards need not apply.


OLDBOY (2003)
Director: Chan-wook Park

I've spoken so much about "Oldboy" that it's practically ad nauseum at this point, and there really isn't much else I can say about it at that. Still though, everything that is featured in "Oldboy" is strikingly original, incredibly shocking, and even occasionally appalling. Like I said before, this film may be one of the absolute ballsiest films I've ever seen in my entire life. The fact that this is getting an American remake from Spike Lee just dumbfounds me, but then again I said the same thing about "Let Me In", so I could be completely wrong too. Regardless, this is a shocking, thought provoking, gut churning film that deserves your attention.



[REC] (2007)
Director: Jaume Balaguero and Paco Plaza

Remade here in America as “Quarantine”, “[REC]” takes the whole handheld camera horror genre to new degrees of creepy and terrifying. A young TV reporter and her cameraman are covering the overnight shift at a local firehouse, and caught in the action when they are dispatched to an apartment complex upon receiving a call of a woman trapped there and in trouble. Upon entering, they encounter the tenants, who have undergone a bizarre, almost zombie-esque transformation…and there’s no way out. I personally have never been much of a fan of the whole handheld camera horror sub-genre, but the way that “[REC]” does it adds some fresh ideas and some hardcore shocks to boot. Its grim denouement sets up a surprisingly good sequel (that was finally released on our shores just recently) as well as promises that there is more to come as the franchise has been a big hit in its native Spain. The “Quarantine” remake was practically a shot-by-shot remake of the original, only with crappy actors and watered down shocks; see “[REC]” instead.



SHAUN OF THE DEAD (2004)
Director: Edgar Wright

No matter what your favorite film genre is, no matter what nationality you may be, you know this movie one way or another. Director Edgar Wright re-united with his a good chunk of his crew from his classic BBC series “Spaced” and proceeded to create one of the best horror comedies in recent memory. “Shaun of the Dead” finds lifelong British slackers Shaun (Simon Pegg) and Ed (Nick Frost) in the middle of a zombie outbreak as they rush to survive, while Shaun seeks to win back his long-suffering girlfriend in the process. With tons of odes, tributes, and acknowledgements to the zombie genre and its various creators (most notably George Romero), “Shaun of the Dead” was a smash international hit, and has become one of the most beloved and revered horror comedies…well, maybe ever. If you haven’t seen it, you must have been living under a rock for the past seven years.



Well, that’s all for now folks, so if you’ve become as tired of the dull American cinema as I have, do yourself a favor and check these films out if you can. And, just for shits and giggles, here are some other badass foreign flicks from the past decade that didn’t make the final cut, but are more than worth checking out regardless:

The Alien Girl
Antibodies
Cold Prey
Pan’s Labyrinth
The Orphanage
Them (Ils)
Timecrimes
Shiver
The Substitute
The Horseman
Red Hill
New Police Story
[REC] 2

The Last Day on Earth...Maybe

It’s the end of the world.

Oceans will turn into blood.

The dead will rise from the grave.

Dogs and cats will be living together.

Yes sir, it’s the end of the world as we know it, and yes, I feel fine.

For the past few months, I’ve noticed a few of the billboards here in Philadelphia proclaiming that May 21st 2011 is the end of the world. No wait, May 21st is the Rapture, the world dies in October. No wait, this crew that was in Philly today says that the world will end at 6PM beginning with a massive earthquake that will travel all throughout the planet and eventually destroy it completely, obliterating anything and everything that’s “left behind” (sorry, couldn’t help it).

Oh, and the CDC is giving tips on how to survive a zombie apocalypse.

So which take on the end of the world works best for you?

Personally, I’m down with the whole zombies rising and ravaging throughout the planet, or more so with the whole let the prudes lose their clothes and ascend to Heaven while the rest of us sinners are left behind to rot (orgy at my place by the way). Now, anyone who knows me remotely well knows that I’m an atheist and not afraid to admit it either. That being said, I’m also usually not one to lambast anyone’s religious beliefs either, even when said beliefs include a specific date for the end of the world. The crew here in Philly I mentioned earlier? They also said the world would end in 1994, 1999, 2000, 2001, and 2006. So…here we are now I guess.

Where was I on September 9, 1999 (9/9/99) when the world was supposed to end? I skipped school and was in line to buy a Sega Dreamcast.

Where was I on June 6, 2006 (6/6/06, get it?) when the world was supposed to end? I was at the opening night for the shitty remake of “The Omen”. I wish the world would have ended that night so I didn’t have to see that piece of dogshit, but I digress.

So how am I going to be spending tomorrow, this new day that the world is supposed to end? Will I be masturbating with a crucifix up my ass while covered in my own feces? Will I be in church begging forgiveness for living a life of Godless heathenry? No…I don’t think so.

You’ll probably find me playing the new Mortal Kombat online…

…and Jesus hates me.

The Walking Dead: Season Review & Retrospect

WARNING: Spoilers are ahead, for both the first season of "The Walking Dead", as well as the comic from which it is based, as I attempt to predict what happens next.

The dead will rise...

...and boy how they have!

The first season of AMC's "The Walking Dead" has wrapped up, albeit it didn't take long considering that this season only consisted of six episodes. Nevertheless, for the course of this six-episode season, executive producer Frank Darabont and comic series creator Robert Kirkman have managed to craft a great adaptation of Kirkman's beloved comic series. After last night's finale however, just how faithful the show will be to the source material will remain to be seen...maybe.

Within the first six issues of the comic, Rick managed to re-unite with his family, and his old police partner Shane, along with other survivors like Andrea and Dale. While the show has retained these elements, the one thing that it hasn't done (at least not yet) is present the struggle and fatal blow-up between Rick and Shane. The first storyarc of the comic concluded with Rick's young son Carl killing Shane in defense of his father, who had gone a little looney over his affair with Rick's wife Lori coming to an abrupt end. While the show seems to be headed in that direction, I had almost figured that Shane would be wormfood by the finale, but he managed to escape the CDC with Rick and company before it erupted in flames.

On that subject, the fact that the crew went to the CDC is something that was NEVER in the comic. Kirkman himself stated that he had no idea the CDC was even based in Atlanta, even though a majority of the series takes place in Georgia and surrounding areas. Still, it was an interesting twist on the series thus far, which leads me to my next question to ponder: just what did Jenner whisper to Rick before everyone made a run for it?

My thoughts on what Jenner whispered to Rick is plain and simple, and will bring up the first major plot point of the show thus far: Lori is pregnant. In the comic, Lori revealed her pregnancy not long after Shane died, but the question abounded as to whether or not the baby was Rick's or Shane's. Considering that Jenner took blood tests from everyone upon entering the CDC, and his somewhat strage reply to Rick when he asked Jenner about the results, he more than likely told her that she's expecting. Another theory may be that Jenner saw Shane's drunken attempted assault on Lori. The building was wired and monitored, and maybe Jenner saw and/or heard the discussion between the two. Either way, I'll be wracking my head about it until next season.

Another plot point that I'm dying to see resolved is just what happened to Merle? We know he lopped off his own hand and made a run out of Atlanta, but after that is anyone's guess. There has been a lot of internet chatter that Merle is going to become the Governor. Anyone who has read the comic knows the kind of impact that the Governor had on Rick and company, and considering he's missing a hand, maybe his revenge on Rick will be lopping off his hand too, especially considering that Rick does horribly lose his hand in the comic.

The Governor, as well as the crew's time living in the shelter of the prison they discover, are two absolutely major story elements that really made the comic so incredible and unlike any other zombie/horror comic to hit the market before or since. Some of the other differences between the comic and the show include new characters like Merle and his brother Darrel, Andrea not being anywhere near as strong-willed on the show as she was in the comic (in the comic she killed her sister Amy before she ever came close to turning), and Shane comes off as way more sympathetic here than he ever did in the comic either. I know that Frank Darabont wants to make things more dramatic for the sake of TV, but if the prison AND Governor points are never touched upon, my interest in the show will seriously wane.

All that aside, this first season of "The Walking Dead" has been surprisingly impressive, and here's hoping that the best is yet to come...

...otherwise I'm going to be fucking pissed.

Trapped in Uwe Boll land

Why do I do this to myself?

Whenever I'm stricken with cases of boredom, I find myself browsing through the massive amount of shitty horror flicks that are offered by Netflix for instant streaming. Flicks that are so shitty, no one should ever see them? Ever hear of a little turd called "The Video Dead"? Or "Tales from the Crapper" (never a more fitting title in all of filmdom)? Of course you haven't, because you have the common sense not to be bothered with such filth. I on the other hand do not, and that is where this guy comes in...

...this guy named Uwe Boll.

Now fans of the horror genre and/or video games know right away who Uwe Boll is. He made a name for himself directing film adaptations of horror and/or shooter video games like "House of the Dead", "Alone in the Dark", "Blood Rayne", "Far Cry", and more besides; all of which (save for one, being the politically biting "Postal", which I find to be a guilty pleasure) are the definition of the term abysmal.

Recently though, Boll has been churning out a new breed of film other than abysmal video game adaptations: the ultra-violent, somehow socially relevant type of film if you will. Films like "Tunnel Rats", "Stoic", "Rampage", "Seed", and most recently "Attack on Darfur"; which presents an ultra-graphic and ultra-chilling portrait of the genocide that has been perpetrated there.

In between the abysmal video game takes and the somewhat socially conscious shockers, Boll has made one film that is downright ridiculous, 2007's "Postal". Based on an unbelievably shitty first person shooter that was more known for its shock value, "Postal" found Boll breaking all kinds of decency rules, whether it meant poking fun at 9/11 terrorists, George Bush (frolicking through a field with Osama Bin Laden), and even himself as he playfully talks of "funding his films with Nazi gold", which many (myself included) have accused him of for years now.

On the horizon, Boll has a slew of films on the way, including a third "Blood Rayne" movie, a superhero spoof called "Bluberella", and another ultra-graphic shocker called "Auschwitz", in which footage put on YouTube was found to be even a little too much for this old gorehound.

What's the point of all this you may ask? Who gives a shit about Uwe Boll? Well, thanks to the Netflix instant streaming I mentioned earlier, I don't have much choice, considering that a good chunk of his films are available to watch (some of which without even being released on DVD yet), and the fact that quite frankly, I never know what to expect from Boll.

A while back Boll made an infamous rant defending himself against his critics, claiming that his films weren't the same kind of boring shit to come from the Michael Bay's and Spielberg's of the world. Ain't that the truth.

Say what you will about him, and I have before myself (I always said that I thought his intention was to out-wood Ed Wood), but the one thing I can say in his defence is that no matter what kind of film he ends up crafting, they are most certainly never boring.

So if you have Netflix and want to watch something different for a change (I can't promise whether or not it'll be your cup of tea or not), I dare you to take a walk down Boll lane...

...whether or not you come back is another story entirely.

Halloween Movies: The Essentials

In the wake of compiling all 50 of the Best Horror Movies You’ve Never Seen, and with Halloween fast approaching, one may wonder just what are the essential horror movies to watch on the nights leading up to the best holiday in all of existence. Well here is a small collection of ten flicks (in no particular order I might add) that are absolutely essential for Halloween viewing, whether it’s to prepare you for Halloween night, or to watch on Halloween night. Either way, you’re welcome:



HALLOWEEN (1978)
Director: John Carpenter
Starring: Donald Pleasence, Jamie Lee Curtis, PJ Soles

You knew this was going to be on here. John Carpenter’s legendary slasher masterpiece is THE film to watch for Halloween, as it not only spawned a whole series of lesser sequels and shitty remakes, but practically created the slasher genre as a whole. To this day “Halloween” is perfect, and in no other sequel to follow has Michael Myers ever been as frightening as he is in this first film. Though light on the gore and explicit on-screen violence, “Halloween” still manages to send chills to the bone, and that my friends is what has helped make this film so timeless and enjoyable.



NIGHT OF THE LIVING DEAD (1968)
Director: George Romero
Starring: Duane Jones, Judith O’Dea, Karl Hardman

You knew this was going to be on here too. George Romero’s legendary black & white shocker was made all the more timeless thanks to its subtle yet cutting social commentary, which this film is as memorable for as it is for introducing viewers to the flesh-eating zombies that trap and terrify a handful of survivors in a Pittsburgh farmhouse. Though Romero’s follow up “Dawn of the Dead” is a better film in my opinion, “Night of the Living Dead” is definitely the more scarier of the two, and to this day that little zombie girl still freaks me out. What’s also worth noting here is that this film actually received a GOOD REMAKE in the early 90s, helmed by Romero’s longtime makeup effects partner Tom Savini.



A NIGHTMARE ON ELM STREET (1984)
Director: Wes Craven
Starring: Robert Englund, Heather Langenkamp, Johnny Depp

The first, original, and best of all the “Elm Street” flicks, “A Nightmare on Elm Street” was a massive hit when first released, launched the career of Johnny Depp, took indie studio New Line Cinema to massive heights, and took director Wes Craven to a more sophisticated level of creativity. Most importantly however, was that it also introduced us to Freddy Kruger, the evil child murderer who takes his revenge on those who killed him by stalking and slaughtering their children in their dreams. Featuring groundbreaking camerawork and makeup effects, the original “A Nightmare on Elm Street” still scares to this day, and remains one of Craven’s absolute best efforts to date.



HELLRAISER (1987)
Director: Clive Barker
Starring: Andrew Robinson, Claire Higgins, Ashley Laurence

Adapting his own novella “The Hellbound Heart”, Clive Barker’s “Hellraiser” usually gets the label of being a slasher, though it is anything but. When the wicked Frank attempts to open the Lamont Configuration Puzzle Box, he unleashes a trio of sado-masochistic demons that promptly rip him apart. However, he begins to slowly come back to life when his half-brother and family move into his home after his alleged disappearance, leading up to a brutal showdown. Demented and oh so graphic, the original “Hellraiser” spawned a ton of lame sequels, and also introduced us to the iconic villain Pinhead, who appears here for two whole scenes (and isn’t even referred to as Pinhead in the credits). No matter what reputation “Hellraiser” may have, consider it essential viewing.




AN AMERICAN WEREWOLF IN LONDON (1981)
Director: John Landis
Starring: David Naughton, Jenny Agutter, Griffin Dunne

Quite possibly the best werewolf movie in existence, “An American Werewolf in London” is so perfect that no other werewolf film to come out after it (save for maybe the original “Howling”) can even come close to touching it. Featuring revolutionary effects work from Rick Baker, “An American Werewolf in London” has it all: pitch black gallows humor, a surprise ending, and so many shock moments that you won’t believe what you’re seeing. It may not have aged all that well, but this is one horror film that I myself will watch any time.



THE THING (1982)
Director: John Carpenter
Starring: Kurt Russell, Keith David, Wilford Brimley

One of the few times a remake is better than the original, John Carpenter’s “The Thing” is an underrated horror classic. Opening the same weekend as “E.T.” (and subsequently bombing), Carpenter’s remake of “The Thing From Another World” is a downbeat and nihilistic tale of an arctic expedition team who discovers the existence of a terrifying alien life-form that can mimic and imitate anything it assimilates. One part cat & mouse game, one part guess who the alien is, John Carpenter’s “The Thing” is a cult classic for sure, and features some of the most graphic (and gross) revolutionary effects work in horror history. And speaking of aliens…



ALIEN (1979)
Director: Ridley Scott
Starring: Sigourney Weaver, Tom Skerritt, John Hurt

Ridley Scott’s terrifying and claustrophobic space opus that launched a huge sci-fi/horror franchise and introduced us to one of the most badass female characters in all of film history, the original “Alien” is a masterpiece of “what’s hiding around the corner?” terror. It’s that anticipation of seeing the murderous alien creature, followed by bloody payoff, which still makes “Alien” so goddamned good to this day.



THE EXORCIST (1973)
Director: William Friedkin
Starring: Max Von Sydow, Ellen Burstyn, Linda Blair

An Oscar winning horror favorite, the original “The Exorcist” remains possibly THE most frightening film ever conceived. No matter what one’s opinion on horror movies is in general, they’ve seen “The Exorcist” regardless, it’s just that universal. I myself can’t even say anything about this film that hasn’t been said plenty of other times before me, and will be said plenty of times long after I’ve left this mortal coil. “Your mother sucks cocks in hell”…brilliant.



FRIDAY THE 13TH (1980)
Director: Sean S. Cunningham
Starring: Betsy Palmer, Adrienne King, Kevin Bacon

Though it isn’t a great movie per se, the original “Friday the 13th” is essential Halloween viewing regardless. A slasher that rips off John Carpenter’s “Halloween” as well as truly introduced us to the notion that if you smoke weed or have sex, you are guaranteed to die in a horrible and painful way. The film also introduces us to Jason Voorhees, though it’s before he dons the iconic hockey mask or even kills anyone. Oh yeah, this is worth seeing just to see a then unknown Kevin Bacon die one of the most creative and iconic ways in slasher movie history.



THE TEXAS CHAINSAW MASSACRE (1974)
Director: Tobe Hooper
Starring: Marilyn Burns, Edwin Neal, Gunnar Hansen

Incorrectly remembered as being a gorefest (usually by people who’ve never seen it), the original “Texas Chainsaw Massacre” is a documentary-ish look at an insane cannibal family that is for all intents and purposes relatively bloodless. Most of the violence that occurs in the film is implied, which shockingly makes it all the more frightening. That, and lead actress Marilyn Burns has one of the most piercing screams in all of horror history, which in itself makes this film hard to watch to this day. Still though, the original and best film in the whole damn series.



Well there we are folks, ten films to scare the shit out of you for Halloween if (for some reason) you've never seen them before. And if you have, watch them again to help celebrate Halloween in style...



...or I'll swallow your soul!

What do you think I should have included and/ or omitted? Discuss!!!