Showing posts with label alan moore. Show all posts
Showing posts with label alan moore. Show all posts

Saturday, April 30, 2016

The Good & The Bad About An Animated "Killing Joke"



You know all about "The Killing Joke".

What many consider to be the greatest Batman story of all time, Alan Moore and Brian Bolland's classic tale is going to be the next animated DC movie. And it features Kevin Conroy and Mark Hamill reprising their roles as Batman and Joker respectively. Oh, and it's rated R.

Holy shit this is actually happening.

I've loved a majority of DC's animated flicks, most notably "Wonder Woman", "Under the Red Hood", "Batman: Year One", "The Dark Knight Returns", and "The Flashpoint Paradox" among others. Seeing "The Killing Joke" get the same kind of treatment is something I've always wanted to see, although I'd be lying if I said I didn't have any concerns.

It's the fact that knowing this film is rated R, could it be solely because of the infamous Barbara scene? There's always been a slight hint that Joker may have raped Barbara after shooting her and stripping her to take those pictures in an effort to drive Gordon mad, but it was only ever a slight hint and never spelled directly out at the reader. I'm concerned that maybe that whole scene could become even more exploitative; so much so that it loses that impact the scene in the comic had and totally misses the point.

Other than that, I'm truly excited to see "The Killing Joke" in animated form. I'm excited to see one of the best Batman stories ever appear on screen, and featuring the voices of Conroy and Hamill too no less. Hell, I'm more excited for this than I was for "Batman V Superman" (and I'm one of the very few people that liked that film) or any other comic book blockbuster to hit theaters any time this year.

Get ready folks. With any luck, we'll get animated adaptations of "Kingdom Come" and "Hush" in the near future among the many other DC stories that deserve the treatment.

Sunday, April 19, 2015

Top 10 Horror Comics of All Time



Horror and comic books go hand in hand. From the early days of EC Comics to the modern titles published by lines like Vertigo and Dark Horse, horror comics come only second to superheroes in terms of what has had the most impact on the comic medium since its inception. Of course, for this fucking guy, horror comics are a way of fucking life. What are the best ones though? The ones that make your skin crawl? The ones that manage to stay with you long after you view the final panels of what you're reading? Well, here we go again.

I want to state first and foremost that this list I shit out here for your reading enjoyment does not include any of the classic EC titles or other horror comics from that classic era. So no, there's no "Tales from the Crypt", "Vault of Horror", "Creepy", "Eerie", or any of their contemporaries. The reason I didn't include them is because they are all anthology titles. Now don't get me wrong; they're all fucking great and have their place in history, but I couldn't include them here because ranking them in terms of what's better than another is fucking impossible. So instead, I'm focusing here on titles that were ongoing storylines.

Some titles didn't make the cut, like any of the Dylan Dog tales, Mike Carey's "Lucifer", or Jason Aaron's spectacular run on "Ghost Rider" from a few years back. I also debated putting "Spawn" somewhere on this list, but upon going back and re-reading the first run of issues, I realized that it honestly wasn't that good to begin with. Keeping all that in mind, I'm anticipating another lynch mob at the gates for my ass, so I'm just gonna say fuck it and dive into this balls deep and without protection...the way a real man does it. So here's my top 10 horror comics to scare the holy living fucking shit straight outta your ass. I apologize for nothing.



10. FROM HELL
Writer: Alan Moore
Artist: Eddie Campbell

Chances are you know this one relatively well. "From Hell" was originally serialized from the late 80s to the early 90s before finding mass success as a collected edition and inspiring a half decent movie starring Johnny Depp in 2001. "From Hell" is Alan Moore's take on the Jack the Ripper murders being a mass conspiracy driven by the royal family. Loaded with many themes that often re-appear throughout Moore's work (and this will not be the only entry on this list to come from the man) as well as musings of the metaphysical and featuring stark artwork from Eddie Campbell, "From Hell" is a dense read, but worth checking out regardless. The story itself isn't filled with scares or even too much suspense, but the fact that this is based on the actual murders and uses nearly every fact associated with each case to its advantage is what helps make it as haunting as it is.



9. TOMB OF DRACULA
Writer: various
Artist: Gene Colan

In the early 70s, the Comics Code started chilling out a bit in terms of restricted content of horror and supernatural material appearing in comic books, so Marvel birthed this fan favorite in 1972. Featuring a revolving door of writers (including Gerry Conway, Arthur Goodwin, and Gardner Fox) until Marv Wolfman (Teen Titans, Crisis on Infinite Earths) finally settled in full time, "Tomb of Dracula" mostly followed the exploits of Frank Drake: a descendant of Dracula who teams with a group of vampire hunters to take on the evil vampire master himself in the modern day. When Wolfman finally settled into the title and began steering it in the right direction, "Tomb of Dracula" became a total blasts. It ran for 70 issues and was always drawn by the late, great Gene Colan with covers by the great Gil Kane. This series is also notable for introducing the vampire hunter Blade, who was very far from being the half-breed daywalker that was popularized by the Wesley Snipes movies.



8. 30 DAYS OF NIGHT
Writer: Steve Niles
Artist: Ben Templesmith

Before it spawned a horde of sequels and spin-offs and inspired a surprisingly good big screen film adaptation (and a shitty direct to DVD sequel), the original "30 Days of Night" was originally pitched as a film itself, and wasn't received well. Instead it was released as a 3-issue mini-series from IDW, and put both Niles and Templesmith on the map in the comic book world. It's an ingenious plot, as a group of vampires descend upon a sleepy Alaskan town during a part of winter where there's no sun for 30 days. It's a survival tale as the remaining residents of the town contend with the vamps, made all the better with the wonderful, visceral artwork of Ben Templesmith.



7. BLACK HOLE
Writer & Artist: Charles Burns

A 12-issue mini-series published sporadically over a decade, Charles Burns' "Black Hole" takes place in 1970s Seattle, revolving around a group of teenagers afflicted with a sexually transmitted disease that causes severely grotesque mutations. Thus becoming social outcasts, we see their respective fates as illustrated by Burns' beautiful black & white artwork that often borderlines realism and surreal horror. Loaded with metaphor and symbolism, "Black Hole" is a true work of art, and it will stay with you long after you finish it.



6. THE WALKING DEAD
Writer: Robert Kirkman
Artist: Tony Moore (1-6), Charlie Adlard (7-current)

Before it was a hit show that spawned hordes of video games, merchandise, and an upcoming spin-off, "The Walking Dead" was a simple comic book about survival in a zombie-infested world that draws heavily on the works of George Romero. It mostly revolves around cop Rick Grimes, who awakens from a coma to find that the world he knew is gone and overrun with the undead. Eventually he finds his wife and son, and from that point forward we begin to learn that the worst part about trying to survive in this new world isn't the zombies, it's the survivors and what the world around them has turned them into. Granted I personally feel that the series has overstayed its welcome (it has been going strong since 2003 without missing a beat), that doesn't negate from the fact that "The Walking Dead" has left its mark as the best zombie-based comic series ever.



5. HELLBOY
Writer & Artist: Mike Mignola (and sometimes various others)

He's the world's greatest paranormal investigator...and he's a demon summoned from Hell that has a gruff sense of humor. Mike Mignola's various series starring the titular character combine gothic, Lovecraft-ian horror elements with pulp and dry humor; which combined has always made anything starring Hellboy such a total blast. Not to mention that Mignola's artwork has become so iconic in terms of his style and character designs that it often proves difficult to look at "Hellboy" art not drawn by the man...there's just no comparison.



4. SAGA OF THE SWAMP THING
Writer: Alan Moore
Artist: John Totleben (mostly)

One of the most revered works by Alan Moore, "Saga of the Swamp Thing" sees Moore totally revamp the DC Comics character. Given nearly total free reign (in the beginning anyway), Moore re-tools Swamp Thing's origin, making him more beast than man, and adding a whole new mythology to the character that would continue to be kept (mostly) as canon. The Parliament of Trees, the Green, and even John fucking Constantine would be introduced during Moore's prolific run, which combined existentialism and outright horror to beautiful effect. No take on the character to come in the years since has had the impact that Moore's has had, and it will probably never be topped either.



3. PREACHER
Writer: Garth Ennis
Artist: Steve Dillon

There isn't much I can say about "Preacher" that hasn't been said plenty of times. One of the Vertigo line's most famous ongoing series to ever be featured on the imprint, "Preacher" is the perfect mix of hardcore horror, pitch black humor, and a handful of some of the best and well-developed characters to ever be seen in comic books. Jesse Custer is a Texan preacher with a very shady background who, along with his gun-toting girlfriend Tulip and Irish vampire Cassidy, travel all across America in an effort to search for God. No, not in a spiritual sense: God has abandoned the throne out of fear and gone into hiding, and Jesse (inhabited by the offspring of an angel and a demon) is on a mission to find him and get some answers. I could talk about "Preacher" for hours on end. It's perfect and was one of the comics that got me back into comics when I was older. Check it out and thank me later.



2. HELLBLAZER
Various writers & artists

Alan Moore created John Constantine, and in the late 80s he got his own ongoing series. The chain-smoking master of bad luck black magic, "Hellblazer" stars Constantine and doesn't always present him in the most flattering of ways. In fact, he's kind of a dick. That being said, he does the right thing when he has to, even if he has to use his friends and loved ones as pawns in his schemes and struggles with evil. Jamie Delano was the initial writer of the series, and gave Constantine much of his backstory as well. Future writers to tackle the character into even greater effect included Garth Ennis, Paul Jenkins, Brian Azzarello, Warren Ellis, Andy Diggle and Mike Carey among others, with artists including Steve Dillon, Sean Phillips, David Lloyd, and the legendary Richard Corben as well. Running for 300 issues before coming to its conclusion in 2013, "Hellblazer" was Vertigo's longest running flagship title, and is one of the most revered comic book series' of all time.



1. THE SANDMAN
Writer: Neil Gaiman
Artist: Various

You didn't think it'd be anything else did you? Neil Gaiman's seminal "The Sandman" is regarded as being one of the best comic books, well, ever...and for good reason too. The story of "The Sandman" revolves around Dream of The Endless, also known as Morpheus, and his interactions with the denizens of the spiritual world, and the physical world as well. There's much more to the story than that of course, but to be perfectly honest, I myself have never actually read "The Sandman" in its entirety. Not because I haven't wanted to, I've just never been given the opportunity to. What I have read however, trust me...all I can say is that one day I hope to finally get the chance. Throughout its run, many prominent DC Comics characters would appear, including John Constantine, Etrigan the Demon, and even Martian Manhunter to name a few, but no matter who would get thrown into the mix, "The Sandman" remained satisfying psychological, and occasionally visceral, comic book horror. It spawned spin-offs and even birthed some characters that would go on to prominent appearances outside the main title, most notably being Death, who is represented here as being a super cute and somewhat quirky goth girl. Oh, and if you're like me and slacking on reading the whole thing beginning to end, I recommend checking out the sixth issue (in the first volume "Preludes & Nocturnes"), in which psychotic Justice League villain Doctor Destiny uses his power to make a group of random people in a diner do horrible things to themselves and each other. This alone is one of the absolute best horror stories ever printed in a comic. No bullshit.



Well, that's all for now. So what'd y'all think? Did I forget a bunch? Do you not agree? Am I a piece of shit for never reading "The Sandman" in its entirety? Who cares? If you haven't read any of these, go fucking do it. You're doing yourself a disservice by not at least giving these a look.

Saturday, January 14, 2012

We Don't Need Any Watchmen Sequels...Ever



Back in 1985-1986, shit in comic books got serious.

Totally fucking serious.

I’m talking about Alan Moore and David Gibbons’ landmark classic “Watchmen”, which would go on to become a game-changing masterpiece that would be revered for decades to come. All these years later, a shit load of recognition and praise, and even a much-maligned big-screen adaptation (that was better than it rightfully should have been) and it appears that the story of “Watchmen” isn’t quite over yet…ya know, because DC Comics still wants to make as much money off of it as they can.

Now I always thought Marvel was the comic company that knew how to milk and whore out their properties for all their worth, but in this case, DC is going above and beyond by planning to release prequel and sequel comic series to the legendary original. Artist Dave Gibbons is believed to be involved in all this to some capacity, but unsurprisingly Alan Moore is not. The much-revered writer and his long-disastrous relationship with DC led him to not wanting to be involved in any re-packaging of his old work for the publisher, as well as not wanting his name listed in the credits for any film adaptation of his comics, which has included “Watchmen”, “V For Vendetta”, and more besides.

Now, here’s what I have to say about these prequel and sequel comics to my beloved “Watchmen”…

WHY?!?!

The story was so perfect and unlike anything to ever come before it that it practically helped revolutionize the whole medium. It showed an alternate reality 1985 where superheroes existed…and the world wasn’t any better for it. Ticking ever closer to a worldwide nuclear holocaust, Alan Moore presented a startlingly realistic superhero story that worked as both a commentary on Cold War politics as well as comic books themselves. It made such a prolific impact on the medium and garnered so much critical acclaim that many wondered if anything else could ever come close to touching the brilliance of “Watchmen”.

Now, in 2012, almost 30 years after “Watchmen” originally hit the presses, we’re getting needless prequels and sequels to the story…needless and pointless. The talent allegedly involved with the project, which supposedly includes the wonderful writer/artist Darwyn Cooke, artist Amanda Connor, and other big names being thrown around including Brian Azzarello, J.G. Jones, J. Michael Straczynski, Adam and Andy Kubert, Jimmy Palmiotti, Justin Gray, Shane Davis, and even Grant Morrison (!) almost makes me want to check out this money-grabbing project because part of me is quite curious what all these creative minds could come up with working in the “Watchmen” universe…while the fanboy in me is instead shitting my pants in nerd-rage.

“Watchmen” is a brilliant, stand-alone story. It set the standard for adult storytelling in the comic book medium, and to this very day remains so revered and beloved that it’s actually kind of hard to put it all into words. While there probably is an intriguing backstory and lots of history to be revealed, as well as the fact that the comic’s ending definitely has plenty of openings for a follow-up, any other work going on with anything new that’s “Watchmen”-related should only rightfully be done either by both Moore and Gibbons, or at least with both creator’s guiding hands at the forefront. Neither is going to happen here, that much is known, which is all the more reason why DC should just leave “Watchmen” the fuck alone. We don’t need prequels or a sequel, the story is perfect as it is and has been since it was published in the mid-80s. Creating a prequel/sequel just wouldn’t have the same effect, especially without any input from Moore. To sum it all up, any new “Watchmen” material is just plain old bullshit.

As much as I’d take DC over Marvel (“New 52” regardless), this is one of those rare times where I’m actually giving them a big old middle finger. We don’t need any kind of follow-ups to “Watchmen”, and we never, ever fucking will either. Some things should be left the fuck alone…and this is definitely one of them.