Remembering Wes Craven

Wes Craven has lost his battle with brain cancer at the age of 76. The man lived a good, long life and was already known as a horror legend before his passing. Looking back on the man's filmography, including just what all he's had his fingers in over the years, really helps in terms of fully appreciating what all Craven lent his talents to.

While claiming to have helmed some pornographic features back in his early days of filmmaking, Craven really burst onto the scene with the infamous "The Last House on the Left" in 1972. Afterwards he brought us the original "The Hills Have Eyes", as well as the underrated "Deadly Blessing" and a hysterical adaptation of "Swamp Thing". But it was in 1984 when he unleashed "A Nightmare on Elm Street" and introduced us to slasher icon Freddy Krueger that really cemented Craven as a true icon of the genre. He would follow that with "The Serpent & The Rainbow", "Shocker", "The People Under the Stairs", "New Nightmare", "Deadly Friend", "Vampire in Brooklyn", and the "Scream" franchise as a director, while serving as a producer on a number of various horror flicks including "Mind Ripper", "They", the "Wishmaster" series, and "Dracula 2000", as well as remakes of "The Hills Have Eyes" and "Last House on the Left".

A lover of classical music, Craven even ventured outside horror to helm the 1999 "Music of the Heart" starring Meryl Streep. Though I was never a fan of the "Scream" films, they have their place in horror history for re-invigorating the slasher genre in the 90s (for better or worse), which wouldn't have been possible without Craven's slick and imaginative direction. The man did more to legitimize the horror genre than anyone else from his era of filmmaking. For that, he will always be beloved.

So sadly, even though Wes Craven has passed on, he leaves behind a body of work that many of his contemporaries can barely rival. He was special as a man, and as a filmmaker, and his work remains iconic all these years later, and always will forever more.

Rest in peace Wes, you've earned it.

ANOTHER "NIGHTMARE ON ELM STREET" REMAKE?!?!?!?!?!

We're getting a "A Nightmare on Elm Street" reboot...for the second time.

Wait, what?

Yes that's right, after the 2010 reboot of the beloved slasher series, we're going to get ANOTHER reboot as well. Why? Was the reception to the 2010 reboot really that bad?

Well...yes, it was. Reception to that was never good to begin with...and it was never going to be. I can't speak for that film myself, because I've never ever seen it. I refused to from the minute I heard about it. While I gave new takes on "Friday the 13th" and "Halloween" a chance in the past, I refused to give one to "A Nightmare on Elm Street", and I still won't.

Now why have I given the newer takes on "Friday the 13th" and "Halloween" a chance whereas I didn't give one to the new "Elm Street"? Well there's a few reasons. For starters, the remakes/reboots/re-whogivesafuckingshit of "Halloween" and "Friday the 13th" were shit (granted I actually kind of enjoyed "Friday the 13th"), but we knew they'd be shit going into it. At their hearts, they're just simple slasher fare that features an invincible killer pitted against horny teenagers. The "Elm Street" franchise has always been a lot more high concept than the rest of its slasher ilk. Freddy Kruger haunts your dreams, which means that anything is possible to happen. Even in the worst films of the "Elm Street" franchise, the deaths are super creative. With a modern day reboot produced by Michael fucking Bay, the word "creativity" just doesn't exist. That's why we knew beforehand not to even bother with it; we already knew it'd be total fucking garbage...and hey, we were right.

So because we were right, we're being punished again with ANOTHER reboot. That's right, they're not going to stop beating this dead horse until they can squeeze just a little more cash out of it and get a whole "new" franchise out of it with more sequels, prequels, then more remakes and reboots of those sequels, etc.

Come the fuck on. Those beloved slasher icons from the 70s/80s like Freddy, Jason, Leatherface, Michael Myers, etc. are everlasting because when we first saw them, the films they appeared in were actually good and original and we wanted to see more of them. It was only after a while that we got sick of it all because it winded up being the same old shit, but at least most of those franchises tried to re-invigorate themselves by injecting some new blood now and then without going the remake route (at least at first).

So yeah, we're getting another "Elm Street" whether we want it or not. I think since we didn't want one the last time, what's really changed in the last five years that makes Hollywood execs think we'd want one now?

Don't give into this guys, save your money and time for something at least somewhat original. It's better for all of us that way, plus for the industry as a whole.

Fuck this.